With a title like Freya’s Tears, anyone with some background in Norse mythology may raise an eyebrow. Will the goddess be woven into the tale at all, and if so, how so? For this reader, who possesses deep affinity for mythology, skepticism hovered above the novel prior to reading it. “Surely, disappointment will once again reign as another favored myth becomes defiled by misuse,” I thought. With abundant joy, each page unfolded into an incredibly well crafted, unique, science fiction tale that was replete with an astonishing voice of the storytellers of the past.
D. Jordan Redhawk transfixed this reader with Freya’s Tears, a work at once unique and steeped in the beauty of mythology. Redhawk managed to maintain the myth of Freya, not merely by allusion or homage, but by intricately lacing it into a modern work of science fiction. In doing so, Redhawk transcends skill and reaches into the realm of the masterful.
Each facet of the book incorporates the myth: from the ship’s name, Freya’s Tears, wound into the main character Captain Elsibet Ulfarsdottir, the unfolding of the plot, Elsbet’s love, and more.
Apart from subtle, yet complete, weaving of mythology, Redhawk builds an intricate, believable world within a troubled space cargo ship that avoids the trappings of the mundane replication of space operatic formulaic writing. Freya’s Tear’s was my first D. Jordan Redhawk novel experience. If this book is an indication of Redhawk’s other works, I plan to relish the exploration of space, and any other worlds that she creates, by checking out the rest of her bibliography.